The Quiet Compere at Poetry Swindon Festival :)

Ten Poets. Ten minutes each. With two Comperes – Sarah L Dixon (The Quiet Compere) and Hilda Sheehan (not sure how quiet she will be ;))

Check out the line-up here:

Angie Belcher:


Angie Belcher

Angie Belcher is an award winning stand-up poet (finalist best female UK newcomer 2015, Finalist best Spoken Word Show North East Theatre Review)Equally at home on the stand-up circuit as in a posh tent at a literature festival “Razor sharp tight observational routine with a high laughter content” B247, Angie presents naughty stanzas and awkward stories “A sharply Observed act, the audience laughed appreciatively and immoderately throughout” Bath Chronicle. An accomplished comedy performer Mythical Creature is her second Edinburgh show. (**** Fringe Review, Part stand-up, part poet part stylised story telling all hugely entertaining” John Fleming, “Highly recommended, go see her”, Phil Jupitus) She was also Team Captain for political comedy panel show Comedy Manifesto during its Edinburgh run (Unbelievably jealous of all those of you that can catch this show every day’ ***** (BroadwayBaby.com).

Website: https://angiebelcher.wordpress.com/

Stephen Daniels:

Stephen

Stephen Daniels is editor of Amaryllis poetry, his kids describe his poetry as “deep”, Hilda Sheehan once described it as “celebrating the darkness of what makes us human”, her alter ego Grishilda said it was like discovering “varicose veins”… you decide!

https://stephenkirkdaniels.com/

Carrie Etter:

Photo to be added.

Carrie’s most recent collection, Imagined Sons (Seren, 2014), was shortlisted for the Ted Hughes Award for New Work in Poetry by The Poetry Society, and her new chapbook, Scar (Shearsman, 2016), explores the effects of climate change on her home state of Illinois. Besides literature of all kinds, she loves teaching, wine, travel, science fiction, cats, and summer.

http://carrieetter.blogspot.co.uk/

Anna-May Laugher:

Anna-May Laugher

Anna-May Laugher has worked as a cleaner, a cook and in mental health.

Her poems have been widely anthologised and has a pamphlet 2017

with Luminous Road. Her claim to fame is having a poem on the buttock of

a papier-mached inflatable sex doll, made by Hilda Sheehan!

A poem here: http://www.amaryllispoetry.co.uk/2013/07/a-poem-by-anna-may-laugher.html

Nick Lovell:

Nick

Nick Lovell is a part-time van driver, full-time romantic, eternal optimist, half-arsed anarchist and occasional poet!

http://heyevent.uk/event/ifvl5qobrywsqa/oooh-beehive-the-beginning/

Sam Loveless:

Sam

No-one is quite sure why Sam Loveless started to write or perform poetry. More certain is his re-appearance as a poet in Swindon shortly after the turn of the decade. Between now and then he has spent time listening to an increasing number of poets. To this end, he now indulges in radio presentations and compering. He has now amassed enough poetry of his own to perform a little more often.

https://mbvloveless.com/about-sam/

Cristina Newton

Cristina Navazo-Eguía Newton had two collections in Spanish before her first in English, Cry Wolf, received a Straid award and is published by Templar Poetry. 

https://cristinanewton.wordpress.com/

Maurice Spillane:

Maurice

Maurice Spillane is Swindon’s token Irish poet – how cosmopolitan is that? His latest collection “The Game Parade” celebrates country life along the Wiltshire Downs.

http://mauricespillane.ie/

Susan Utting:

SUtting

Susan Utting has worked as a barmaid, waitress, florist’s assistant, Yoga teacher and for more than 20 years as a poetry tutor. As well as poetry collections and national press publication, she once had a poem published on a beer mat!

http://www.susanutting.com/


Julia Webb

julia-webb

Julia Webb is a graduate of The University of East Anglia’s poetry MA. She has had work in various journals and anthologies including “The Forward Book of Poetry 2017. In 2011 she won The Poetry Society’s Stanza competition. She was recently Writer in residence at Norwich Market. She is a poetry editor for Lighthouse. Her first collection Bird Sisters was published in 2016 by Nine Arches Press.





Buy your tickets here: http://www.poetryswindon.org/festival#!/7-10-2016-THE-QUIET-COMPERE-with-Sarah-L-Dixon/p/69253857/category=20217256

Quiet quiet LOUD! with Ciaran Hodgers and Anne Caldwell – Sept 13th 2016

Ciarán Hodgers:

Ciaran

Ciarán is described as “Thoughtful and punchy” and “One of the most exciting faces to appear in the North West circuit in a long time”

Ciarán Hodgers is an award-winning poet, performer and creative mentor. Performed and published around the UK and Ireland he was part of the inaugural Team Manchester at the National UK Poetry Slam, finalist of the Poetry Rival Slam with Burning Eye books and three time finalist of Manchester’s own Word War slams.

Anne Caldwell:

13978120_10155063089034008_1230759842_o

Anne Caldwell grew up in the north-west of England and has been a keen reader all her life. Her poetry has been published in a range of anthologies – Poet’s Cheshire (Headland) and The Nerve (Virago) and three books by Cinnamon Press who also published her first full length collection. Her work has appeared in many British magazines including Writing Women, The North, Poetry Wales and Quattrocento. Anne finished an MA in writing poetry at Manchester Metropolitan University in 2007 and performs all over the UK. She won an award to attend the Wired Writing Programme at The Banff Centre in Canada in 2008 and published a pamphlet with Happenstance. Until recently, she also ran a company called Sources that specialised in using text and visual art together with digital artist Jack Lockhart. More recently, Anne was a Lecturer in creative writing at The University of Bolton and also worked for NAWE, The National Association for Writers in Education. (www.nawe.co.uk) as their Deputy Director. She is currently undertaking a PhD. Her new book of poetry is called ‘Painting the Spiral Staircase’. (Cinnamon, Spring 2016). She currently works as Literature Programme Manager in the North of England for the British Council.

Support Poets: Steph Portersmith, and 5 TBC – 6 minute spots available through messaging me.

Support Poets pay half price on the door.

£3 on the door is split three ways between both the guests and myself as host/promoter and to cover printing costs.

Access to venue is by a double flight of stairs and no lift is available. Apologies to anyone with accessibility issues, but thought I should let you know in advance. I used to have an accesible venue, but moved from there due to them cancelling on the night (twice)

Robin Williams, apple sorrow and elephants in every corner (the blog of Quiet Compere at Worcs LitFest 2016)

Jasmine   Jess Adam

After a walk along Kleeve Walk beside the Severn and through the locks I found Ye Olde Talbot where I stayed last year and had a slow pint in the pub garden gazing at a small square of blue sky from the courtyard. As soon as I left to bask the rain pelted me until I took shelter outside an estate agents with a couple of dozen others.  

 

Martin Driscoll and a committee were all at The Hive when I arrived after an afternoon of pootling around Worcester and welcomed me with wine and organisation, a happy combination and below are reviews of the guest poets and some lines I liked from support poets and open miccers. I have included links to their sites where I know them.

 

Guest Poets

Jess Davies

In Jess’s Good Will Hunting poem I enjoyed Jess raising her hand to own up to borrowed lines, much less intrusive than mentioning it all the way through or not at all. From Learning how to cry: ‘Identify the elephant in the room./Name it ‘wolf’.

I do a little dance at this line now!

Jess made me cry twice. Her quiet style makes the poetry shout so much more. The words work hard and don’t need shouting.

http://jessmaydavies.tumblr.com/

Jasmine Gardosi

Ah! ‘as jumbled as a Brummie’s accent.’ and the image of the poetry teacher hiding behind the picture books. ‘a whole row of Elmers’ adventures. The elephant in the room ‘explodes in multicolour.’ Love the ‘twist of fate and paper.’

http://www.jasminegardosi.com/

Adam Horovitz

‘Take the same landscape in as if it were breath.’ ‘A stone-rush of butter and red-bricked memory.’ Loved The Pelican,a  pub ‘divided by accent and arrival time.’ and ‘cider shouting through me in apple sorrow.’ Wow! Makes me want to try some cider for the first time in 15 years! http://adamhorovitz.co.uk/blog/

https://littlemetropolis.bandcamp.com/merch

 

Support Poets

Holly Magill

For Holly tongued fingertips ‘sausage stumble the keyboard.’ and ‘time sloths’. ‘Wet-lipped uncles at someone else wedding’ Yuk!

https://clearpoetry.wordpress.com/2016/03/17/holly-magill-three-poems-2/

Ken Evans

‘an arc of arms throwing punches of light’ was so surprising and visual.

http://www.inksweatandtears.co.uk/pages/?p=6912

Leon Priestnall

‘with love I am begging for you to hurt me.’

‘it’s similar to a kiss, like the ones we share’.

https://www.youtube.com/watch?v=ysVRsytlFpo

Open mic

Polly Stretton

‘the scent of sweet apples gift-wrapped in old newspaper’.

https://journalread.com/

Nina Lewis

water described as ‘all claws, teeth and current.’

‘Our emotions carried on F sharps and B flats.’

https://awritersfountain.wordpress.com/

Kathy Gee

‘The weight of hours in his loft’ grabbed me particularly.

http://vpresspoetry.blogspot.co.uk/p/book-of-bones.html

Leena Batchelor

“I’m the girl who stepped into the black, And found a welcome there”.

http://pixiemuse.wordpress.com

Neil Laurenson

I enjoyed Adelstrop and Exclamation Marks and the Leaving assembly one.

http://silhouettepress.co.uk/shop/exclamation-marx-by-neil-laurenson/

Anne Milton

 ‘I would steer by the stars, but the constellations have moved.’

This was Anne’s first ever performance at a poetry event and there is no link for her at present.

Kieran Davis

‘a seduction, a secrecy and suggestions of stealth.’

Lacuna launch is here: https://www.facebook.com/events/1280938665267803/

https://blackpear.net/about/

Polly put me up and made me a fry up. It was lovely to meet Polly’s daughter and Mabel the dog too. They took me on a walk back from their house across Diglis Bridge and I was inspired by the love-locks and now have two poems of Love for Worcester (though I have only visited twice). Thank you Worcester. I will be back. xxx

More about Worcestershire Literature Festival here: https://worcslitfest.co.uk/



Worcs mascot

Quiet quiet LOUD! with Emma McGordon and John Calvert

Tuesday 12th July 2016 at The Lloyds, Chorlton, Manchester. £3 on the door.
12963609_598831073613843_6656165919197298093_n

Emma McGordon is published by Tall Light House and Black suede Boot Press. She is a Penned in the Margins Generation TXt poet and has performed internationally. She is also a former Northern Young Writer of the Year. She is currently working on her first spoken word theatre show with support from Arts Council England.

479914_10151265250050152_455661567_n

John Calvert more info soon

Oceans of Bisto, sausage rolls and mustard memories – Hebden Blog

Firstly, The Nutclough Studio was a perfect space for a Yorkshire-sized audience, the venue was truly a 12th performer on this night, adding it’s personality to the event and we had a visit from the lovely Fern Bast to check we settled in and again at the end of the evening to see if there were any issues with the venue. Settees, blankets, tall stools, a rainbow light with a tree in it and high windows all added to the evening. And all this before we add a line-up that had been making me a little giddy for a while! I hope to capture a flavour of the evening below in case you couldn’t make it.

 

Greg White: ‘We tend to spend our lives in the back rooms of ourselves.’  Then from Books  ‘And I, in turn, entrusted you/with my whole self in manuscript.’ and I like that by my reading of The Source, my new poem, I gave him permission to read Leaving, his follicular calligraphy poem. No link available.

 

Stu Freestone: made us hungry: ‘You remember those crumbly sausage rolls that would just fall apart in your hands, almost like a paper waterfall folding its way through the cracks in your grasp’ and then ‘We are the graphite drawn from those pencil tips sketching picture perfect postcards.’ Hee hee! ‘seasoning pleases me… …I want to bathe in an ocean of Bisto!’ Course he does, I do too! Stu hosts Say Owt Slam! in Leeds. The next event will be on Friday 27th May at The Basment, York. https://www.facebook.com/pages/Stu-Freestone-Spoken-Word-Poet/293008464226457

 

Rose Condo: Rose’s Sexual Assault Helpline poem was inspired and hard to listen to, it was an automated machine making all kinds of judgements about the caller, with no facility for response, talking them out of the claim before they had even made it.  Particularly through the lines questioning the caller’s ‘level of voice or intensity of eye contact.’ ‘Is he just known as an affectionate guy?’ Her Richard III speech was excellent and would have loved to make Shakespeare slam to see everyone’s take on the Bard. http://www.rosecondo.net/ Rose hosts Queenie’s Coffee House Nights in Huddersfield. The next is tonight with Tony Walsh and Alix Alixandra at 7pm.

 

Winston Plowes: Winston’s war series (first published by Square Chapel Centre for the Arts, Halifax in The Writing Room 2016) was moving as it took us through saying Goodbye to someone going to war ‘I’ve buried you like an/acorn in the foxhole/before the winter/burns me.’, how it was like for the person left behind ‘Gagging on every thorny paper kiss… my life is decorated with the long wait for you.’ and the third poem was on the return from war ‘Eyes that blink to orders/since the sand unmade you……you brought a war back with you/In your blood and thunder.’ I had noticed Winston’s Memory Box earlier and thought it was part of The Nutclough décor. He took lines from it in any order they came out and gave us snippets of memories ‘silverfish racing passed the gas-fire.’, ‘mustard mixed with a tiny wooden spoon.’ and ‘flying toys that collect dreams.’ http://www.winstonplowes.co.uk/

 

Clare Shaw: When thinking about the recent Hebden floods I had thought about the things, shops and homes lost, but not the people and that death was part of it. The resilience around Hebden and the messages of Thanks on windows made me cry and smile, Clare did too. The directness: ‘I am that one car, floating. I am the phone’s blank screen. I am the neighbour with the cigarette. I am too wet to smoke. I am the mother knee-deep. Clare also brought out one I remember from when I first heard her read from ‘Straight Ahead’ Bloodaxe, ten years ago, in which the protagonist dared  ‘to dance the wrong kind of dance with the wrong kind of man. To dance the wrong kind of dance with a girl.’   http://www.clareshaw.co.uk/

 

I got heckled for heckling! Apparently, I might have been a Quiet Compere, but I was a not so quiet audience member when Winston was hosting. The audience were so warm and open I decided to perform a new poem. Not my usual style or subject matter.  I am going to take this to Manchester monthly slam (Word War at 3MT) on June 7th. Terror and good butterflies mix in a giddy cocktail of anticipation.

 

Brendan McPartlan: I loved The Madman in the Corner, Brendan introduces us to the Madmen in the corner and gets us into the centre of the room and tells us “Well this room has got four corners and/I’ve shown you everyone,/so you’re probably thinking that the madman’s gone/ Well sorry, you’d be wrong/because tonight I have moved to the middle of the room because I wanted to talk to you.’ Love the family love in the Lenny poem ‘The boy catches me watching/he smiles a smile full of peas/ and says “More more more!’ This made me cry.  No link.

 

Hannah Stone: Hannah’s set had so many stand-out lines for me, why say pregnant when you can say ‘her belly heaves with legitimate pride and unfamiliar hormones.’

From ‘Reunion of the broken parts’, ‘Who can find one deity to hold it all together while his flayed back knits itself together.’

Hannah’s collection, Lodestone, is now available through Stairwell books here:  http://www.stairwellbooks.co.uk/html/collections.html#Lodestone


Matthew Hedley Stoppard:

Accents are hard to describe, but not to Matthew, ‘Round East Midlands vowels, as if my head’s been shoved in the hollow of an oak.’

‘Bruises beneath feathers, while holding a rook in a headlock’ made me smile.

http://www.valleypressuk.com/author/24/matthew_hedley_stoppard

Becky Cherriman: From Austerity: ‘You woke one morning, aching with it.’ Becky read a number of poems from her pamphlet from Mother’s Milk, Echolocation http://beckycherriman.com/?p=1142/

One of these was All princes were monsters once which held the line about her son: ‘It is as though this is the first accurate mirror/I have come across.” Wow!

http://beckycherriman.com/

David Jarman: Dave’s Stuff poem got me this time. ‘It’s form fell apart, it’s structure fell away’. ‘cut into the bark, stark, square, sketchy letters.’ ‘For we are never nothing!’ These lines in particular grabbed me by my slightly drunken ears and made me listen.  I also love his people on the route to work poem Against the Tide: ‘middle-aged looking five year old with her Mum.’ ‘nothing can wake me like mist on the tracks in the morning.’ http://www.jarmanpoetry.com/

The next day I spent an hour with mallards, pigeons and ravens  by the River Wharfe thinking about the floods and nothing and everything, watching the ravens have water baths. Then I had chocolate cake and wine and caught my train home. Thank you Hebden.

Quiet quiet LOUD! at Chorlton Arts Festival with Steve Nash and Midnight Shelley May 24th 2016

Stev Nash
Steve Nash is a writer, lecturer and terrible musician based in Yorkshire. He won the Saboteur award for Performer of the Year in 2014 and his first collection, ‘Taking the Long Way Home’, is available now from Stairwell Books. His next book ‘The Calder Valley Codex’ will be published later this year by Calder Valley Poetry, and he strongly suspects his Guniea pigs are plotting against him.

Midnight Shelley

Midnight Shelley has an infectious passion, irrepressible love and rarely stays still. She pulls you into stories and you are compelled to go along.

6 minute support spots available. £4 in advance or on the door to cover promotion, printing and transport and refreshments for the guests.

https://www.fatsoma.com/chorlton-arts-festival/h65cgwgv/the-quiet-compere-quiet-quiet-loud/